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In an article published in the Turkish newspaper “Yeni Konya,” the Islamic Civilization Center in Uzbekistan, built in Tashkent, was recognized as a symbol of the scientific and spiritual rise of the New Uzbekistan. The publication describes the center not only as a magnificent architectural structure, but also as a vast cultural and educational space that connects the past, present, and future. The article emphasizes that the project demonstrates the country’s historical contribution to the development of Islamic civilization through modern technologies and unique exhibitions, and also highlights it as a strategic step toward preserving national heritage and presenting it to the global community.

The Qur’an Hall of the Islamic Civilization Center in Uzbekistan has been designed not only as the largest and most majestic section of the building, but also occupies a special conceptual place as the spiritual heart of the entire complex. Therefore, every visitor entering the hall first steps into an environment where the sacred word is exalted and the scientific and educational achievements of Islamic civilization are embodied. In this space, architectural design, artistic decoration, and spiritual meaning harmoniously merge to create a unified conceptual landscape.

The next meeting of the Expanded Scientific Council of the Islamic Civilization Center in Uzbekistan was dedicated to a comprehensive analysis of the scientific-innovative, organizational, and creative processes being carried out on the eve of the opening ceremony, evaluating the effectiveness of completed work, and defining future priority tasks. Members of the Scientific Council, heads of project working groups, scholars, researchers, and specialists participated in the meeting.

Having survived nearly nine centuries and reached our time, a rare silk robe is now on display in the First Renaissance section of the exhibition at the Islamic Civilization Center in Uzbekistan, a unique complex in the world built on the initiative of President Shavkat Mirziyoyev. Dating back to the 12th century, this garment is not only an example of exceptional textile craftsmanship but also a vivid expression of the traditions of statehood, diplomatic culture, and aesthetic thought that developed in Central Asia.