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The 19th–20th centuries marked a period of flourishing applied arts and craftsmanship in the territory of Turkestan. Silk adras fabrics, delicate silver jewelry, and ceremonial ornaments were not merely objects, but artistic heritage reflecting the aesthetic taste, social relations, and cultural identity of that era. Today, these unique examples displayed at the “Wall of Civilizations and Discoveries” in the exhibition of the Islamic Civilization Center in Uzbekistan vividly portray the cultural environment of the Second Renaissance period and invite visitors into the world of past artistic traditions.

The Afrasiab frescoes displayed in the Pre-Islamic Civilizations section of the exhibition at the Islamic Civilization Center in Uzbekistan are considered one of the most unique artistic and cultural heritage masterpieces in human history. These wall paintings vividly demonstrate not only the high cultural life of ancient Samarkand but also the prominent role of Central Asia as a center of international relations. Their presentation in the exhibition through modern scientific and visual technologies provides an opportunity to gain a deep understanding of the history, art, and worldview of pre-Islamic civilizations.

Today, based on the idea of the new “Third Renaissance,” Uzbekistan is entering a new stage in building its modern history, development, and a state that serves its people through concrete reforms aimed at advancing the state and society. What lies behind this vision? What do the analyses reveal? How is it being achieved?

The sword of the Kokand Khan displayed in the exhibition of the Islamic Civilization Center in Uzbekistan dates back to the 19th century and represents an outstanding example of our nation’s military culture and craftsmanship. This exhibit, associated with the Kokand Khanate, is made of gold, precious stones, and steel. The sword measures 92 centimeters in total length. This rare artifact was returned to our homeland from the Amir Muhtashamiy collection in London.